Okay I’ve got to be honest and admit that I’ve gone out of sync by one day 😳 my apologies. So, I’m in Croatia with Jo, we’ve had a seven hour journey and while she had a nap in our hotel I popped downstairs to the quayside and sketched.
In yesterdays post you may have read that we had spent a long time on the train and the sketch for day 14 started to evolve in my mind. Being on the train is quite a confined space, I am not sure how people react to being sketched and I didn’t want to get busted doing this so I picked on a poor chap who had absolutely no idea this was happening.
I used a 6B pencil, putty rubber and the grey toned Hahnemuhle sketchbook, pretty minimalistic. I don’t intend to add colour after this because I haven’t tested how well the book handles wet media, perhaps that’s a good reason why I should? Anyway, the train got pretty full and the chap was quite a wriggler – his left arm was in a brilliant position and I tried to rough sketch it out but then he moved! Then he sat right back in the chair and most of his face disappeared from view, to pass the time until he reappeared I worked on (probably unnecessary) train artifacts but he didn’t re-emerge so the subject matter is more about the train carriage than the person, this doesn’t quite match the goal I’d set. I also hadn’t got the guts to sketch the young woman who had sat diagonally opposite me, she would have been great but I felt a bit cheeky I suppose and it may have made her uncomfortable.
What I will say about this is initially I was self-aware about being seen to sketch in public but then I totally forgot about everyone and everything around me and got ‘in the zone’ and that was a really cool feeling. My wife took a photo of me working which I’ll include for your amusement.
Today has been spectacularly busy, after a month away our house and garden needed some serious work plus we needed grocery shopping a few presents for family and of course our new ‘great-niece’ Francesca – and this afternoon we have been invited to our friends for a party(thank you Paula and Felicity) so with an hour to go I sat down to draw the buildings outside our house and it started to rain… until we got back there had been a heatwave here, can you believe it? Can you also believe that yours truly didn’t actually pack any watercolour paint for this trip??? Groan… so I cannot physically produce a painting today because of time constraints and lack of materials…. but… my intentions are to either draw something this evening although I could be a little tipsy or do loads of sketching tomorrow to make up for it…. dammit I might even do both!!!
Well, a couple of days have gone by and it’s time to catch up on the events of day 13. Evidence of the few lines I drew in an attempt to sketch before rain forced my retreat is provided on this post – I’d started on the grey toned Hahnemuhle sketchbook and was looking forward to completing it but we know how that turned out. we spent that evening with friends we haven’t seen for a while so no more sketching was done. I had taken a reference photo of the scene I had meant to sketch out and had a cunning plan.
Jo and I had arranged to go and see our new Grand-niece Francesca, in Plymouth and this involved a total of seven or eight hours on the train from Reading, so I carried enough gear with me to sketch on the train but with no paint. My routine was to sketching from the reference photo on my ipad using a 6B pencil in the Moleskine watercolour sketchbook. Some putty rubber corrections were needed to correct perspective errors and the train movement and vibrations gave me some shaky lines that needed fixing.
After this I used the trusty Rotring Tikky black waterproof ink pen 0.4mm and was very happy with it. The photo has lots of tonal value shown and I left these out of the sketch (I had considered using pen and perhaps this would be good experience) my intention is to revisit the sketch with watercolour when I can get my hands on some paint….which shouldn’t be too long now. I will add the finished photo on to this post when it’s done ✅
Today Jo and I are heading home to Silchester in Hampshire (UK) and also a week in Croatia (thunderstorms predicted 🙁 can you believe it?) I’m really looking forward to it. The sad thing is I have just dropped my sidekick Tanzie the labradoodle off at the kennels. The look of desperation on her face has made me feel sick and evil and I think I need a large whiskey now. the consolation (apart from a lovely couple of weeks with my wife) will be her ‘Tigger-like’ craziness when I collect her. The kennels, by the way is a great place, really clean and staffed by people who look like they care plus lots of other happy dogs and open spaces to run around and play….. okay John….now breathe!
As for artwork, my mind is a bit numb right now but I promise I will do something and upload it although that mat be tomorrow as we won’t get to the UK until quite late tonight. John
Me again, so my little feet haven’t touched the ground in 24 hours but I did manage to make a sketch of a chap working on his laptop in the airport terminal at Stavanger. Because I was unsure if I could take paint stuff through security at the airport I only grabbed a sketchbook and couple of pencils ✏️… the sketchbook was toned grey Hahnemühle and I worked with a 6b pencil, rotring tikky 0.4mm black drawing pen and a Koh-I-Noor Hardtmuth 5mm pencil with white lead
A cloudy and rainy morning here in Stavanger, Norway. I’m flying back to the UK with Jo tomorrow and every time I look at Tanzie the Labradoodle I feel guilty. So we practice our new trick which is for me to sing ‘everybody was Kung-Fu Fighting’ which makes Tanzie have a playfight with me, then I gave her a repulsive smelling pigs ear, she loves those and took her for a swim. I packed my Sketch bag. The bag is the big one but I’ve thinned out the contents a little and it is much lighter, when I go on holiday it’ll be perfect to fit the camera, phone, wallet, drink and sun cream (fingers crossed) inside, so that’s cool!
At Tanzies swimming spot I saw a little idea for a composition, I’ve been here before and pretended to sketch for photos used on this blog (shhh…don’t tell anyone) and I’ve always liked it here. So, I got out the Moleskine watercolour sketchbook and a pencil (think it was HB) and sketched in some basic lines, again, no ink over the top.
I mixed some ultramarine, cadmium red and yellow ochre with a tiny dab of alizarin crimson and worked down on the sky, making the wash more yellow ochre near the distant trees. I kept some areas light to indicate distant buildings later on and used viridian with alternating hints of yellow ochres or cadmium yellow deep for the foliage, keeping it wet into wet I dropped the sky mix with a touch of viridian in for the water, saturating the colour in the foreground.
Then I threw Tanzies stick in the lake a few times for her to fetch and let the first wash dry. After that I sat on my comfy rock and added more colour, working on the tones and shadows of the centre boulder (you can’t miss it). And tried to indicate some of the smaller stones on the shore. I also included more pigment for the rest of the foliage and distant shoreline
I had meant to keep an area for a fallen tree light but got carried away. I let the painting dry and played some more fetch, when I returned I added depth or shape to the stone with ultramarine blue, crimson alizarin, a touch of burnt sienna plus greens I’d previously mixed for the moss on the boulder. I lifted out some paint for the fallen tree and light surface on top of the boulder, put in a cheeky shadow for the fallen tree and indicated rocks a bit more. I covered over the top and right of the sketch and flicked a fully loaded brush to make dots for effect, I did this in several colours for variety and to make the shoreside a little more believable. I enjoyed this sketch, the dog played and explored happily by herself and wasn’t a distraction, I sketched happily standing then sat on a rock to paint. I’ve weeded my gear down and it’s a manageable weight now and I’m taking on things I liked but would normally leave out. I’m using the Cotman box, I like it although the colours are grainy. I’m also getting through the blues and yellows, not enough to replace them but it shows I’m doing some work now. Okay, here’s the finished sketch.
Tomorrow we go back to England so I’ll probably sketch people in the airport or on the plane and hope not to embarrass Jo, I hope I can organise the tech stuff to upload it, I’d hate to disappoint any loyal followers. John
This morning I woke up very early, my wife Jo couldn’t contain herself after hearing about the birth of our lovely little grand-niece. The photo she showed me was beautiful, congratulations Alexa and Richard 🙂
After hearing wonderful news like this it was futile to even think I could go back to sleep so I got up and obviously aimed for the kettle and checked in on Tanzie. I could tell she was disgusted with me being awake so early so I left her snoozing away and looked outside at the beautiful morning, it was just after dawn and the lake was still, the amazing colours perfectly reflecting on the waters surface. Instinctively I grabbed my sketching stuff. That’s something I’m very happy about…. ‘instinctively’… that’s a great way to be and maybe ten days of my blogging these daily sketching efforts has changed my thinking a bit?
I let my previous couple of days experience fall by the wayside because I definitely didn’t ‘travel light’ instead I grabbed my massive sketch bag, a larger pad than usual and a steaming hot cuppa. When I popped outside I arranged some stools for my stuff and myself and settled down. The sketchbook I used was bought in Switzerland a few months back, its called aquarello and is A5, it’s quite lightweight and did buckle a little when wet but not too bad for my purposes. I was back to my Schminke watercolour tin and have to say it felt a lot better to use than the Cotman, the colours were finer and came off the pan and onto the brush effortlessly. I didn’t use the squeeze brush instead I chose the size 10 kolinsky sable round sketching brush and later on the same brush in a size 4 for fine details.
Some basic sketching in pencil left the way open for me to add a wash of colour. I sprayed water onto the whole paper then mixed some cerulean blue and delft blue for the sky, some areas had a mix of germainium red and quinacridone gold to show the last part of the dawn red colour filtering out of the sky. I used the same cerulean and delft blues for the water and added yellows and quinacridone gold for the foliage, a higher ratio of blues in the far background to suggest the distance. The paper was starting to buckle and it seemed a long time befor it started to dry.
Then, totally unexpectedly large drops of rain spattered onto me and I grabbed the sketchbook and covered it before any damage was done.
I waited a short while to see if the rain would die down, it did however, the paper was not quite dry enough for the next layer but I went ahead, it didn’t go badly wrong and I got some suggestion of reflection from the midline trees onto the lake surface. Then put darker pigments into the work. More Delft blue went into the background hillside and then some cadmium green dark and caput mortuum for the foreground. Deeper shadows were indicated with a mix of burnt sienna and french ultramarine.
Then I used a loaded brush tapped abruptly on its ferrule to spatter fine drops of a more saturated mix into the foreground. A few tiny drops accidentally made their way onto the sky and lake, I managed to lift them out with a damp tissue but it only partially worked.
So, not quite the ‘purist’ type of work I wanted to do – as in it was done in the comfort of my garden with all the equipment I needed parked up around me and close to hand and the possibility of getting out of the rain quickly when need arose. But… I am quite pleased with this scene, I’ve painted the scene before because it is the view from my back window but this was very much a sketch completed in around thirty minutes. I’m feeling quite confident, I liked the paper despite it buckling a little. Perhaps I could consider using a larger paper, I know I’ve commented on this before…. food for thought eh? John.
Yesterday was a nice days sketching for me, if you read my blog you’d see I liked the minimal gear I used and the way it lent itself to speedy work while giving me the ability to work on my feet. Today I thought I’d do a similar thing and aim for a place I was at last week before a strange person sat next to me and took his clothes off but ignored me in every other possible way…. the crazy, crazy little weirdo! Well I took with me the very same gear as yesterday, mechanical pencil 0.7mm, Squeezable water brush, Cotman watercolour box (with teeny brush I wish I’d thought to use yesterday as it was in the box all along) and this fab little watercolour pad – it measures only 8 x 10.5 cm and fits into any pocket with ease. This little book is so good I’m wondering what the next size up is and if it is as easy to pocket as the one I have? I’d also decided that Tanzie the labradoodle shouldn’t miss out on the fun, but as yesterdayI found it was tricky controlling her while she explored at the same time as trying to paint I needed a solution… so I plumbed for an idea Jo and I have used in the past when we were on walks and wanted to rest but with both hands free to take photos, eat and drink and that kind of thing. Simple really, it’s some climbing gear I already have, a sling and a karabiner that clips onto her retractible lead handle and around any fixed object such as a tree trunk, rock or my waist…It worked a treat before and this was the case today. So, as I eluded to earlier, the weather was lovely and sunny, I wasn’t sure it would hold (but it did) and I left the house a little overdressed but the sketching kit neatly tucked away in the pocket of my hoodie. Once I was in position I sat down and considered my painting options and decided on where to paint then laid out my kit on the pontoon I was sitting on (there was no need to stand today) so I was really comfortable and ready to go. I did the briefest of pencil sketches, so brief it didn’t seem worth photographing…so I forgot. Left out the ink pen work over the top. Then I laid on some very light paint to mark out the main shapes that made up the sketch, all this was happening very quickly, in fact it probably took only half an hour from start to finish. I don’t know why but I worked a little differently today and more or less worked from the bottom up which I imagine pure watercolourists would put a contract on me for, I kinda got away with it, I used a bit of phthalocyanine blue and alizarin crimson for the sky and water. .Then I added yellow ochre, burnt sienna and cadmium yellow in different combinations to that mix to obtain a variety of greens. I felt quite satisfied with the sketch at this point and let it dry ready for more pigment. The sun did its thing very quickly so the rest was just mixing stronger colours in a wider variety and trying to get a continuous wash of varied colour along the middle section then adding depth to the buildings at the ridgeline. As luck would have it I spotted the tiny brush that came with the Cotman box and this allowed me to add some small dabs of dark intermittently and darken the roof of the house on the right. I was aware there was little indication of light and shadow, I did try this on the roof of the house on the left but it doesn’t really jump off the page. Still I’m ok with the finished results here and can see the challenges I have still to work on. I really like the quick set up my limited kit is giving me, it is removing options and reducing the dithering on what to use, it just keeps it all very simple and that is what it is meant to be like… or how I mean it to be like..
I may need to look at the squeeze pen situation, they are hard to produce clean water from unless I carried some fresh clean stuff in a container and that means not travelling so lightly but if I use a non-squeeze brush I snuggle to wet it. The squeezy brush just seemed to produce liquid that was a dirty green and this seems to suck back into the reservoir of the brush…. not sure of the solution just jet but I’ll think about how to sort this while going as lightweight as I can. I also find the Cotman colours a little tricky to pick up on the brush and a bit granulated, but it still works nicely. Okay, hope you are as enthusiastic as me, see you tomorrow – John
Guess what? Yes, you got it… it’s raining! Again! But that did not deter me from getting stuck in to day eight! Today I thought I’d experiment with the absolute minimum equipment I could carry in a pocket! It proved really interesting and a very worthy little experiment. Today’s equipment included a tiny watercolour sketchbook made by hahnemuhle measuring only 8×10.5 cm so it slotted easily into my pocket, the surface was rough and I like that texture plus the lovely little book was glued on all for sides so it didn’t buckle when it was wet! I carried a 0.7mm mechanical pencil with built in rubber (I didn’t use it), a water brush (a round one, the equivalent of, say, size 4) and my small W&N Cotman watercolour box.
After persuading Tanzie the labradoodle to step outside in the rain with me, we very quickly got to the place I wanted to paint. My objective was to hold everything in my hands or pockets and work standing up. I did, in fact I was calf deep in water with my wellies on and Tanzie splashing about. It was easy really, well I mean ‘manageable’ but I had to hold the dog lead and she was tugging me around as she explored, should have tied her off really but there wasn’t a suitable place and it’s not legal to allow dogs off the lead here…annoyingly.
Like a doofuss I didn’t take a reference photo of the scene I was painting, it was overcast and the water was still across the lake, the reflections were beautiful and the colours really rich, it looks like Autumn is starting because there were some ochres and siennas out there (not quite in my scene though).. The rain was holding off and with real enthusiasm I made a start.
One thing I felt I should attempt was to use only a couple of pencil lines to mark out the composition and no ink drawing over the top. So this didn’t take a long time and the sketchbook was really tiny. Working in standing was not too bad at all and I decided to lay a wash down.
So….using my little Cotman box I mixed some colour but the water in the water brush had some blue and sienna in it, the brush mush have been stored dirty. This was a happy accident because the sky colour was pretty close to what I needed, I was working quickly but the damp air seemed to keep my paper wet. When I eventually got more layers down and colours right, the composition was pleasant and the atmosphere partly captured…..little raindrops began to hit the page.
There wasn’t much gear to pack up before we evacuated and the sketchbook was no bother to hold upside down while I me and Tanzie carried on walking. It took absolutely ages to dry, in fact I gave up and closed the book and put it in my back pocket. When I opened the book again I was disappointed to see the rain splats had messed it up again and the cover of the book had smudged the sketch where it had remained wet.
As we were passing the original position on our way home I decided to salvage the sketch and thought it went reasonably well, in fact I find it quite pleasant. I had wished I’d bought a smaller brush to make some suggestion of buildings and windows in the distance. There’s a lot to be said by just carrying one brush but when I got home I did put some very small marks in to suggest this.
Overall I really enjoyed this way of working, the minimal use of equipment made it logistically easy to execute a sketch, the process was fast and manageable in a standing position. As well as that, and I know there’s a long way to go but I found the finished result quite satisfying – I didn’t quite stop before it got muddy but needed to add colour to fix the damage the rain caused. Lots learnt from this exercise and It’s the best I’ve felt after completing my sketch. John 🙂
There are 2 Stokka lakes here in Stavanger, they are both next to each other, one is big and one is small. Usually, when I take Tanzie the labradoodle for a stroll we go around ‘Big’ Stokka (some of it and occasionally the whole 9km around it). Both are beautiful so today we walked all of the way around ‘little’ Stokka, the reason for this was a house that always catches my eye is on the route. It’s not far from our house and I could just head directly there but thought I’d kill two birds with one stone and combine the dog walk with the sketch trip! Oh and guess what?!….. it didn’t rain!
I wanted to park myself where I could sit and work comfortably and Tanzie could amuse herself but found nowhere quite right for the job so I went further back into a wooded area and sat on a stone wall, perfect…. however, therein lies the problem…the trees obscured my view a little too much and dominated the composition. I need to either learn to work in standing (difficult while holding a dog on a lead and a ton of kit – but a handy skill nonetheless) or use a seat or stool type of arrangement (logistical pain in the butt, no pun intended, – lugging a chair around) or…. go sketch in places that are equipped with chairs such as cafes, transport… you get the idea.
So, into the line drawing and it went smoothly, I used a HB pencil and had little need for the putty rubber, I thought I was observing more and attempted to get the lines of perspective more accurate than my usual scribbles. Once the pencil drawing is good the rest seems like relaxing fun to be honest, it’s like the hard bit is done – which is a win win for me because I like the drawing part. I also found my reluctance to leave things like cars out was not really present, I’m realising they are necessary to add life to the sketch. There were no people about and this would have been even better but maybe they’d have wanted me to clear off
I found myself at a funny junction here and made a decision not to add any colour and keep this simply as a line drawing, sketching doesn’t actually require a wash of colour or does it? So I decided to get some shading in but like a fool just got carried away and didn’t really concern myself with the source and direction of light and this was quite a serious error that this sketch never quite recovered from. Even when I ‘u-turned’ on my colour decision 🙁 I wasn’t to fussed really because it is all part of the process, I added colour and was okay with this although I should make colour swatches because I never try hard enough to get colours right, then when they appear wrong I add more and more pigment and the whole thing gets muddy and this one is no exception!
So, it’s the end of my first week of this, it has been harder work than I thought but it’s not just about the sketching, the technical side of things – taking photos, editing them, uploading to the blog site, putting them into posts and writing posts seem to take yonks. I’m glad I’m doing this, my brain is in sketch mode now and I like that, it’s a nice place to be in. My goals are three things from here. Colour mixing, light values and perspective…. oh and perhaps not to quit!
I might sketch in oil colour sometime soon and look into using pens only. Also, limiting my kit for different days – how about taking three acrylic markers out, working without pencil (watercolour only)….. using gouache or pastel…..lots of things are popping up in my head… that’s not a bad thing either!
Well, this post nearly never made it and I have my wife to thank for giving me the push I needed to get a sketch done and posted. Because it was Saturday we’d spent the day together shopping and relaxing and it was around eight in the evening when I said “It looks like I’ll have to miss my blog out today”…. to which she said “get out there and do it” and she was quite right.
Really there were a few factors leading to this that I can’t ignore and need to share. The commitment of this blog seems to occupy me and almost take over everything else and I wanted to make nice sketches not tick boxes. Harsh I know, but I may need to bin this negativity and remember my goal. To gradually shift my behaviour so it’s natural for me to carry sketching stuff and to sketch as regularly as I can. I’ve been making excuses like – it’s raining! Today I felt I didn’t want to abandon my wife because she has been at work all week and it’s wrong and selfish to disappear painting over the weekend. I’d made a cunning plan to double post and just make some excuse…. Thankfully she saw through this and made me see it was ok
With that encouragement I went into the kitchen, Jo had suggested flowers – which I naturally baulked at! I love looking at them but I can honestly say painting and drawing flowers is really, really not my thing, but…. guess what… it was peeing down outside…. it was dark and windy…. the flowers were kinda pretty….nice colours….. and Tanzie the Labradoodle had accompanied me to the kitchen and flaked out by my feet at the kitchen table. I couldn’t let her down nor could I let down my wife, myself or anyone kind enough to read this little blog!
So onwards and upwards… I used my regular sketch kit for this one and did my line drawing in pencil, this time really quickly and looking for a feel rather than precise position of petals, stems, leaves and the like. I must admit in the back of my mind I just wanted to get it done and was always on the verge of quitting this one. In my mind I just repeatedly thought I don’t do flowers, I don’t do flowers. As it went on though I found it was enjoyable and a great excuse to use such lovely reds and magentas without desaturating them with colours on the opposite side of the colour wheel. Not saying I got that right, the yellow kitchen lighting was not perfect for the job but hey, a bit of it was impatience on my part.
As is my regular design, I went over the most appropriate pencil lines in ink, again using the Rotring 0.2mm Tikky pen. I’m really bonding with this one and should look at wider line widths perhaps? I really like the work some artists produce with flexible nibbed fountain pens but I have no clue which one would suit my needs most and Jacksons, my favourite art supply shop don’t really shed much light here either. In a great little book called Archisketcher, they are mentioned very positively and show great variety in line widths so I definitely feel the attraction. As usual I am wittering on so I’ll show my ink drawing here….
Still not really feeling it and thinking ‘here’s one for the hall of shame’ I carried on, whatever happened I knew I’d learn something from it and I’m not scared to get it wrong…. but it’s lovely if you get it right….right? Time to mix some colour then! I started on the foliage and thought it could really bog me down going for individual leaves and stuff so I used a variety of shades and spaced them out then did a similar thing with the flower heads themselves.
I started to feel a lot more enthusiasm here because I quite liked the colour and the ‘sketchiness’ of it. I heard Jo coming towards the kitchen and thought ‘hide it’ but too late. When Jo saw it she approved! Let’s be clear here… Jo is my biggest critic… she will NEVER tell me she likes my stuff if she doesn’t! I’ve heard her say to me once ‘that painting does nothing for me’!! She had a point though…. So, with that little endorsement I continued along the home straight by adding some darks to try and add depth and bring out the light values. I’m really happy I didn’t take the day off – lesson learned. John.